Milton's Lycidas
Lycidas (A Pastoral Elegy by John Milton)
Summary
Lycidas is a pastoral elegy written
by Milton to mourn the death of his friend Edward King who had died while
travelling from Chester to Ireland in a ship which sank in the sea. The poem
can be divided into six identifiable sections.
The
first section serves as a prologue to the poem. It covers the first twenty four
lines of the poem.
These lines tell us why Milton wrote this poem at a time
when his poetical powers had not yet fully
developed although he had decided
not to write anything before he was fully mature as a poet. It was the
sad and untimely death of Edward King, (whom he calls Lycidas in the poem), that had
compelled him to
pen this elegy. He expresses in it the grief that he felt at
the death of a friend. King had been his friend
and classmate at Cambridge.
Besides, he was a promising poet and Puritan priest. His death therefore
was a cause of immense grief to him.
In
the second section of the poem, Milton describes the time they had spent
together at Cambridge. He
describes how they both would study together
throughout the day beginning very early in the morning
and continuing till late
at night. He also mentions some innocent recreations they used to enjoy.
However, Lycidas’ death had changed everything significantly. Addressing the Muses, he
asks where
they were when Lycidas’ ship sank and why they did not try to save
him. But he soon realises that even
they could not have saved his life. Even
Palliope, the Muse who was the mother of Orpheus, could not
save her son when
the Maenads tore him to pieces and threw him into the river.
This
section of the elegy also contains the philosophical discussion about life,
labour and rewards. He
states that it is
the desire for fame that inspires a man to labour hard and sacrifice a life of
ease.
However, the irony of human life is that he is deprived of the reward of
his labour by the cruel hands of
death just when he is about to reap it. But he
also says that the true reward does not consist in worldly
success. It is
bestowed on him by God on the day of judgement.
The
third section describes a procession of mourners led by Triton expressing grief
on Lycidas’ death.
Milton also uses this section to express his views about the
Protestant Church and the corrupted clergy
who are interested more in material
rewards than in catering to the spiritual needs of their flock. He
makes St.
Peter, the last one in the procession denounce the clergy who are interested in
their own
welfare than in the spiritual needs of the people under their care.
The
fourth section is devoted to his own feelings on Lycidas’ death. He invites all
the trees, plants and
creepers in the valleys to shower their flowers on
Lycidas’ hearse. The flowers are a symbol of Lycidas’
escape from ‘intolerable
reality’ to a lovely world. In a way, the section expresses Milton’s good
wishes
for Lycidas in his journey after life.
The
fifth section presents Milton’s belief in immortality. He consoles himself and the other mourners by
referring to the belief in eternal life in heaven after death. He states that there is no need to mourn
because Lycidas has reached heaven where he will live for ever and is
entertained by saints in sweet
societies.
The
last section forms the epilogue to the poem. Here, Milton refers to the Greek
pastoral poets and
expresses a determination to make greater poetic
achievements in the days to come while facing life
hopefully.
Lycidas is a
pastodent of classical
literature, Milton was fully familiar with the conventions of
pastoral elegy
laid down by the Greek poets. He has followed all these conventions in his
elegy.
First of all, he
presents himself and King as shepherds. He even gives King a name
common in
pastoral poetry.
Like the pastoral
poets, he begins by invoking the muses and explaining the reason why he
has
been compelled to write this song.
Thereafter, he
proceeds to describe the history of his relations with King at Cambridge
University where they had studied and indulged innocent pleasures together.
Next, following the
pastoral tradition, he questions the fate that let King drown and blames
the
muses of not doing anything to save him realising ultimately that even they
could not
have done anything.
This is followed by
a description of the procession of mourners led by Triton. Everyone in
the
procession is wondering how King was allowed to meet his untimely death.
After that comes
the offering of flowers. Trees, plants and vines shower flowers on King’s
hearse. In the end, Milton expresses his belief that King has moved over to a
better and
eternal life. He will there be rewarded for his labours by God who
is the true judge of all.
Milton now tells
the mourners to stop doing so as there is no cause for it. Lycidas has not
died
but gone to heaven there to live for ever in the company of saints who
entertain him
with their sweet songs.
We see thus that
Milton has employed all the conventions of the pastoral in his elegy. But
he has adapted them to suit his own purpose. Milton was dealing with Christian
subjects –
the death of a man who was preparing for the ministry, his own
future as a poet and the
degeneration of the Christian church in England. So he
uses the elegy to put forth his
philosophy about the irony of life which makes
a man toil hard for achieving fame but
deprives him of the reward by causing
his death.
He also makes Saint
Peter denounce the degeneration of the contemporary Christian
church. He makes
a scathing attack on the clergymen who have surrendered to the lure of
materialism and instead of catering to the spiritual needs of the masses are
busy feathering
their own nests.
Milton ends the
elegy by showing a resolve to get over the sorrow, live life hopefully and
make
notable poetic achievements.
All these things
make Lycidas one of the greatest poems of its type. All the traditions of the
pastoral elegy have been followed in it. At the same time, Milton has utilised
the occasion to
express his views about the issues closest to his heart and of
immense contemporary
interest.
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