Essays of Elia ------- The Two Races of Men
Essays of Elia
The Two Races of Men (Summary)
Mankind, according to LAMB, can basically be
divided into two races in spite of the multiple differences of colour and
nationality – the borrowers and the lenders. The superiority of the borrowers
can easily be seen in their appearance, behaviour and sense of freedom and
authoritative manner. The lenders look sad, lean and suspicious in contrast
with the open, trusting and generous appearance of the borrowers.
The borrowers are all careless and
emotionally balanced. They have a wonderful faith in God and attach no value to
money. They are not possessive so far as money is concerned. Like the primitive
men, they are indifferent to money.
Lamb was forced into such thoughts by the
death of an old friend who was one such character. He came of a rich and noble
family but he squandered all his wealth very soon after inheriting it like all
men of this type. Thus he freed himself of the sense of honour and shame that
prevent a virtuous man from borrowing. He began to borrow from everybody. He
borrowed from more than one tenth of the population of England. One day, Lamb
accompanied him in the city and was surprised by the respect with which a very
large number of people greeted them.
One day, he told Lamb that those men were
the people from whom he had been borrowing money and he took pride and pleasure
in their large number instead of feeling any shame.
Even with such a large number of people to
lend him money, he was always without money. The reason was that he did not
believe in keeping money. He parted with the money he borrowed as soon as
possible. He spent it on drinking or gave it away, or just threw it away or
buried it in the earth. When he had exhausted it, he borrowed again from the
first man he happened to come across, no matter whether he was a friend or a
stranger. And he had such a charm that nobody had the power to deny him a loan.
It made the author himself wish to save some money to lend it to him.
Although all the wealth that Lamb had were
the books he owned, another class of borrowers deprived him of this wealth.
They were the borrowers of books. S. T. Coleridge had no peer as a borrower of
books. The vacant space on his book shelf reminds Lamb of a precious book on
divinity and some others that Coleridge had borrowed saying that only the person who has
the ability to read and understand a book has the right to have it. If he
continued to act on his theory, no book owner would be safe.
The empty space on another shelf reminds him
of another book that Coleridge had borrowed although he himself was the first
to read it and appreciate its contents. In fact, it was he who had told
Coleridge about the beauties of this book. Some other empty spaces remind him
of some other books that other people had borrowed from him.
But Lamb also praises Coleridge saying that
if he borrowed books from him, he also left with him an equally large number of
books when he visited him out of forgetfulness. Lamb admits that he has a
sizeable collection of such books. He is as happy to have them as the books he
buys. These books have as respectable a place on his shelves as the books he
has bought. The ones left by Coleridge do not ask how they came there. And Lamb
has no intention of parting with them by depositing them somewhere or by
selling them.
But there is one satisfaction that a man
gets when one lends a book to Coleridge. It is that he will study it deeply
although he may not return it. Therefore Lamb never minded lending him a book.
There was a lady K. who had borrowed a book from him and he knew that she would
never read a single page or be able to understand it.
Lamb therefore advises every person with
even a moderate collection of books not to show it to anybody. But if you take
pleasure in lending books, lend them to a person like Coleridge, who would
return them at the expected time and with a huge amount of information
scribbled in the margins, thus increasing their value manifold. Lamb knew it
from his personal experience. What he wrote in the margins was as valuable as
the contents of the original book.
The Two Races of Men (Full
Text of the Essay)
The human species, according to the best theory I can form of it, is
composed of two distinct races: the men who borrow, and the men who lend. To
these two original diversities may be reduced all those impertinent
classifications of Gothic and Celtic tribes, white men, black men, red men. All
the dwellers upon earth, "Parthians, and Medes, and Elamites,"* flock
hither, and do naturally fall in with one or other of these primary
distinctions. The infinite superiority of the former, which I choose to
designate as "the great race," is discernible in their figure, port,
and a certain instinctive sovereignty. The latter are born degraded: "He
shall serve his brethren."* There is something in the air of one of this
cast, lean and suspicious, contrasting with the open, trusting, generous
manners of the other.
[2] Observe who have been the greatest borrowers of all
ages -- Alcibiades, Falstaff, Sir Richard Steele, our late, incomparable
Brinsley* -- what a family likeness in all four! What a careless, even
deportment has your borrower! What rosy gills! What a beautiful reliance on
Providence does he manifest, taking no more thought than lilies*. What contempt
for money, accounting it (yours and mine especially) no better than dross. What
a liberal confounding of those pedantic distinctions of meum and tuum*,
or rather, what a noble simplification of language (beyond Tooke*), resolving
these supposed opposites into one clear intelligible pronoun adjective! What
near approaches does he make to the primitive community* -- to the extent of
one half of the principle at least!
[3] He is the true taxer who
"calleth all the world up to be taxed"*; and the distance is as vast
between him and one of us as subsisted betwixt the Augustan Majesty and the
poorest obolary* Jew who paid it tribute-pittance at Jerusalem. His exactions,
too, have such a cheerful voluntary air so far removed from your sour parochial
or state gatherers, those ink-horn varlets who carry their want of welcome in
their faces. He comes to you with a smile and troubles you with no receipt,
confining himself to no set season. Every day is his Candlemas* or hisFeast of
Holy Michael*. He applies the lene tormentum* of a pleasant look to
your purse, which to that gentle warmth expands her silken leaves as naturally
as the cloak of the traveler for which sun and wind contended*. He is the true
Propontic*, which never ebbs, the sea which takes handsomely at each man's
hand. In vain the victim, whom he delights to honor, struggles with destiny; he
is in the net. Lend, therefore, cheerfully, O man ordained to lend, that you
lose not in the end, with your worldly penny, the reversion promised*. Combine
not preposterously in your own person the penalties of Lazarus and of Dives*,
but when you see the proper authority coming, meet it smilingly, as it were
half way. Come, [give] a handsome sacrifice. See how light he makes
of it! Strain not courtesies with a noble enemy.
[4] Reflections like the foregoing
were forced upon my mind by the death of my old friend Ralph Bigod, Esquire,
who departed this life on Wednesday evening, dying, as he had lived, without
much trouble. He boasted himself a descendant from mighty ancestors of that
name who heretofore held ducal dignities in this realm [England]. In his
actions and sentiments, he belied not the stock to which he pretended. Early in
life, he found himself invested with ample revenues, which, with that noble
disinterestedness that I have noticed as inherent in men of the "great
race," he took almost immediate measures entirely to dissipate and bring
to nothing: for there is something revolting in the idea of a king holding a
private purse, and the thoughts of Bigod were all regal. Thus furnished by the
very act of disfurnishment, getting rid of the cumbersome luggage of riches,
more apt (as one sings) "To slacken virtue and abate her edge,/ Than
prompt her to do aught may merit praise,"* he set forth like some
Alexander upon his great enterprise, "borrowing and to
borrow"*!
[5] In his periegesis* or triumphant progress
throughout this island [Great Britain], it has been calculated that he laid a
tithe* part of the inhabitants under contribution. I reject this estimate as
greatly exaggerated, but having had the honor of accompanying my friend diverse
times in his perambulations about this vast city [London], I own I was greatly
struck at first with the prodigious number of faces we met who claimed a sort
of respectful acquaintance with us. He was one day so obliging as to explain
the phenomenon. It seems that these were his tributaries, feeders of his
exchequer, gentlemen, his good friends (as he was pleased to express himself),
to whom he had occasionally been beholden for a loan. Their multitudes did no
way disconcert him. He rather took a pride in numbering them, and, with Comus,
seemed pleased to be "stocked with so fair a herd."*
[6] With such sources, it was a
wonder how he contrived to keep his treasury always empty. He did it by force
of an aphorism that he had often in his mouth that "money kept longer than
three days stinks." So he made use of it while it was fresh. A good part
he drank away (for he was an excellent tosspot); some he gave away; the rest he
threw away, literally tossing and hurling it violently from him -- as boys do
burrs, or as if it had been infectious -- into ponds or ditches or deep holes,
inscrutable cavities of the earth; or he would bury it (where he would never
see it again) by a river's side under some bank, which (he would facetiously
observe) paid no interest; but out away from him it must go peremptorily, as
Hagar's offspring into the wilderness*, while it was sweet. He never missed it.
The streams were perennial which fed his fisc*. When new supplies became
necessary, the first person who had the felicity to fall in with him, friend or
stranger, was sure to contribute to the deficiency. For Bigod had an undeniable
way with him. He had a cheerful, open exterior; a quick, jovial eye; a bald
forehead, just touched with grey (cana fides*). He anticipated no
excuse, and found none. And, waiving for a while my theory as to the
"great race," I would put it to the most untheorizing reader, who may
at times have disposable coin in his pocket, whether it is not more repugnant
to the kindliness of his nature to refuse such a one as I am describing than to
say no to a poor petitionary rogue (your bastard borrower) who, by his mumping
visnomy*, tells you that he expects nothing better, and therefore whose
preconceived notions and expectations you do in reality so much less shock in
the refusal. When I think of this man -- his fiery glow of heart, his swell of
feeling, how magnificent, how ideal he was, how great at the midnight hour --
and when I compare with him the companions with whom I have associated since, I
grudge the saving of a few idle ducats and think that I am fallen into the
society of lenders and little men.
[7] To one like Elia [nom de plume of Lamb
for himself in this and other essays], whose treasures are rather cased in
leather covers than closed in iron coffers, there is a class of alienators more
formidable than that which I have touched upon: I mean your borrowers of books
-- those mutilators of collections, spoilers of the symmetry of shelves, and creators of
odd volumes. There is Comberbatch*, matchless in his depredations!
[8] That foul gap in the bottom
shelf facing you, like a great eye-tooth knocked out -- you are now with me in
my little back study in Bloomsbury [section of London], reader -- with the huge
Switzer-like* tomes on each side (like the Guildhall giants, in their reformed
posture, guardant of nothing) once held the tallest of my folios, Opera
Bonaventurae*, choice and massy divinity, to which its two supporters
(school divinity also, but of a lesser caliber -- Bellarmine* and Holy Thomas*)
showed but as dwarfs -- itself an Ascapart* -- that Comberbatch
abstracted upon the faith of a theory he holds, which is more easy, I confess,
for me to suffer by than to refute, namely, that "the title to property in
a book" -- my Bonaventure, for instance -- "is in exact ratio to the
claimant's powers of understanding and appreciating the same." Should he
go on acting upon this theory, which of our shelves is safe?
[9] The slight vacuum in the
left-hand [book]case -- two shelves from the ceiling -- scarcely distinguishable
but by the quick eye of a loser -- was whilom the commodious resting-place of
[Sir Thomas] Browne on Urn Burial*. C[omberbatch] will hardly allege that he
knows more about that treatise than I do, who introduced it to him and was
indeed the first (of the moderns) to discover its beauties, but so have I known
a foolish lover to praise his mistress in the presence of a rival more
qualified to carry her off than himself. Just below, Dodsley's dramas* want
their fourth volume, where Vittoria Corombona* is! The remainder nine are as
distasteful as Priam's refuse sons, when the Fates "borrowed"
Hector*. Here stood the Anatomy of Melancholy [by Robert
Burton]*, in sober state. There loitered The Complete Angler [by
Izaak Walton]*, quiet as in life by some stream side. In yonder nook, John
Buncle, a widower-volume, with "eyes closed," mourns his ravished
mate*.
[10] One justice I must do my friend: that if he sometimes, like the sea,
sweeps away a treasure, at another time, sea-like, he throws up as rich an equivalent
to match it. I have a small under-collection of this nature (my friend's
gatherings in his various calls), picked up, he has forgotten at what odd
places, and deposited with as little memory at mine. I take in these orphans,
the twice-deserted. These proselytes of the gate* are welcome as the true
Hebrews. There they stand in conjunction, natives and naturalized. The latter
seem as little disposed to inquire out their true lineage as I am. I charge no
warehouse-room for these deodands*, nor shall ever put myself to the
ungentlemanly trouble of advertising a sale of them to pay expenses.
[11] To lose a volume to
C[omberbatch] carries some sense and meaning in it. You are sure that he will
make one hearty meal on your viands, if he can give no account of the platter
after it. But what moved you, wayward, spiteful K[enney]*, to be so importunate
to carry off with you, in spite of tears and adjurations to you to forbear,
the Letters of that princely woman, the thrice-noble Margaret
Newcastle*, knowing at the time, and knowing that I knew also, you most assuredly would never turn over one leaf of the
illustrious folio? -- what but the mere spirit of contradiction and childish
love of getting the better of your friend? -- then, worst cut of all, to
transport it with you to the Gallican land, "Unworthy land to harbor such
a sweetness,/ A virtue in which all ennobling thoughts dwelt,/ Pure thoughts,
kind thoughts, high thoughts, her sex's wonder!" Had you not your
play-books and books of jests and fancies about you to keep you merry even as
you keep all companies [merry] with your quips and mirthful tales? Child of the
green room*, it was unkindly done by you. Your wife, too, that part-French,
better-part Englishwoman! -- that she could fix upon no other
treatise to bear away, in kindly token of remembering us, than the works of
Fulke Greville, Lord Brooke*, of which no Frenchman, nor woman of France,
Italy, or England, was ever by nature constituted to comprehend a tittle! Was
there not Zimmerman on Solitude*?
[12] Reader, if haply you are
blessed with a moderate collection, be shy of showing it; or if your heart
overflows to lend them, lend your books; but let it be to such a one as
S[amuel] T[aylor] C[oleridge]: he will return them (generally anticipating the
time appointed) with usury, enriched with annotations, tripling their value. I
have had experience. Many are those precious MSS of his -- in matter
oftentimes, and almost in quantity not infrequently, vying with the originals
-- in no very clerky hand -- legible in my [Samuel] Daniel, in old [Robert]
Burton, in Sir Thomas Browne, and those abstruser cogitations of the Greville,
now, alas, wandering in Pagan lands. I counsel you, shut not your heart, nor
your library, against S[amuel] T[aylor] C[oleridge].
Comments
Post a Comment